#im already hooked

[gifti3]

Obsessed with this guy actually...

[stratosbeans]

this is my weed smoking girlfriend guys say hello

[cybersunnie]

"Look at yourself," you gesture to him, "you're here, drinking at my bar after an argument with your father. He's trying to tell you that you aren't dependable enough to rely on and the first thing you do is turn to your vices. What do you think?"

YES GIRL CALL HIM OUT

Not knowing, by the end of this week, you will be known as Rafe's girlfriend.

OHHH ZYA THIS IS SO GOOD!!!! cant wait to read the rest of the series when i have the time 🙂‍↕️

PLAY FAKE | Rafe Cameron | 01

MASTERLIST (Series)

Pairing — Rafe Cameron x Female Reader .ᐟ

Summary — When Rafe needs to secure a girlfriend for his father to see him as a viable candidate for Cameron Development, he enlists the help of a bartender who wants nothing to do with him.

Content — 18+, smut, angst, depictions of jealousy + aggression, emotional turmoil, mild descriptions of violence, and usage of drugs.

Who knew Rafe Cameron is a blabbering drunk?

Working as a bartender on the docks, near Heyward's Seafood, you have your fair share of stories about the people who come in. Most of them are locals from The Cut, with the occasional tourists who wander the streets, settling for a clean place to eat.

But it's very rare to have a Kook.

It's been a visit for the past couple of weeks. You don't understand what caused him to come here. There's plenty of bars near Figure Eight—some of which you are sure caters specifically to the Camerons—but you don't question it. Lately, business has been slow, a couple of locals in and out, and with the majority of your income relying on tips, you take it.

Locals don't tip.

Rafe does, however. When he settled down and ordered the largest and most expensive liquor you had on hand, he slipped a fifty into your hands and asked for the bottle as a whole. You don't know if he doesn't have prior tipping etiquette—or because he tips extra for you to keep quiet about his presence—but you gladly take it. Sitting at the end of the counter, his hand cradles a half-empty glass he sips from.

Despite having the whole bottle set in front of him, he still makes you serve him.

Why?

Because he's an asshole.

"You know what he wants to do?" Rafe slurs from across the counter, his eyes flickering to find your presence behind the bar. "He wants to give the company to Sarah."

You hum in response, drying the washed glasses in your hands with a towel as you listen to his nondescript rambles. You knew most of the people he's referring to Sarah Cameron, Ward, and the occasional Pogue you don't know the name of. But, that's how Rafe sees the world: his family, the Kooks, and then everyone else.

"She's nineteen and going around OBX with her fucking Pogue boyfriend and he sees her as stable?" Rafe scoffs, shaking his head as he brings the edge of the glass to his lips and takes a long sip. "Fucking bitch."

Listening to drunk customers vent about their home lives is part of the job description. While it’s dark outside and Rafe is the only customer left, you are technically free to kick him out and make him go about his day elsewhere.

But, there's a rule in your family regarding business: don't go home until the last customer leaves. There's no such thing as kicking someone out at closing time; you were there to wait, serve, and hope they spend a couple more bucks on some more booze. It's a cheapshot of handling enterprise, but that's the way you need to do business and survive as a Pogue.

Rafe taps his empty cup in his hand, eyes pinned on you. "Refill," he mumbles, to which you resist the urge to roll your eyes, and walk over to do exactly as he asks. Lifting the bottle set in front of him to pour him another shot, he watches you as you watch.

"You think it's stupid, right?" He asks, his gaze lifting to study your face. "He thinks Sarah is more equipped to handle Cameron Development because of that Pogue. Because he ties her down. Is that some bullshit?"

His gaze is intense and you don't know whether to answer or not. While you don't know much of the story, of the background behind his persistent rambles, you pieced together enough that it's about Ward deciding to give Sarah the family company because of her stability as a person. Because she's reliable.

You shrug, "I don't know." Because you don't. You don't want to get involved in whatever problems Rafe is dealing with. You don't want to offer unsolicited opinions because who knows if it'll come back to bite you in the ass.

He scoffs, then releases a bitter laugh. "Of course you don't," he leans back against his seat, almost swaying against the backless stool, before shaking his head, disciplining himself. "You're a Pogue. I must be losing it if I'm talking to you."

You roll your eyes, turning away from the Kook and settling on the rest of your tasks. You're used to Kooks putting you down like that, seeing you as nothing more than the bottom of the chain because you don't have some fancy degree from UNC or because you aren't floating on a yacht somewhere.

Just as you're returning bottles back on the shelf, you hear Rafe mumbles to himself. "Does he want me to be tied down or something?"

You let out an abrupt laugh, before quickly stiffening the sound. However, it was too late. When you look back over, you see his blue eyes set on you, a hard expression on his face. "Sorry," you mumble, wishing you had better control over your tongue. "I thought I heard something funny."

You wished you could blame it on the TV, but unfortunately, you had turned that off a while ago.

"You laughing at me, sweetheart?"

"No," you clear your throat, but the look on Rafe's face makes it seem like he's in no mood to hear lies right now. You rectify the answer. "Yes."

"What's so funny?"

"The idea of you getting tied down," you answer slowly. You carefully study his expression to see if anything you say could trigger a bad reaction. "It just seems amusing to me."

Because it is. Rafe is known around Outer Banks as the reckless prince, the one who hosts parties, gets shit-faced drunk, and hooks up with every woman within his proximity. The idea of him losing all of that—the parties, the drinking, the women—was not something you could picture in your head.

"What about it?" He challenges, an edge to his tone. "You think I can't fucking do it?"

From your experience as a bartender, you know he's coming close to unraveling. What you say next could cause him to erupt or calm down, and while you would love to sell him some lies, to get him to back down and leave, something in you doesn't let it pass. All night, he's been nothing short of an asshole to you. To act like he's above you because you are nothing but a Pogue meant to serve him. Why would you pass up an opportunity to deliver some harsh reality?

"Look at yourself," you gesture to him, "you're here, drinking at my bar after an argument with your father. He's trying to tell you that you aren't dependable enough to rely on and the first thing you do is turn to your vices. What do you think?"

Even if you intended it to be harsh, you said it nicely.

He stares at you, hard. You don't like it. You heard the rumors of what happens when he gets pissed—where he throws chairs and smashed bottles. You don't want to be a recipient of that.

"Never mind," you shake your head, returning back to your task. "Just forget it. I'm misreading the situation."

"No," he says with a shake of his head. "You said it. Might as well own it with your chest. Dancing around it wouldn't make you anymore likable."

You clench your jaw. On top of being a blabbering drunk, Rafe is cruel.

Not answering him, you walk over to where he sits and take the glass from his hand, right as he's about to take another sip.

"What the fuck?"

"I think it's time for you to leave."

He scoffs, not moving from his position. "Just because I said I didn't like you?"

"No, because you're acting like an asshole and frankly, I don't want to put up with it anymore," you say, pouring the rest of the content down the sink. "You can take the bottle with you. But other than that, you need to leave."

Rafe stares at you for a few seconds, contemplating what to do, but he doesn't have any grounds here. He may be a Kook, but that means shit when he's in the south side of Outer Banks. When his opponent is a bartender. Instead of responding to you, he slides off the stool and grabs the booze by the handle.

Just as he's about to set out of the door, you shout behind him with a mock farewell, "'pleasure doing business with you!"

—

That day, you thought would be the last of your interactions with Rafe. After all, most people don't want to continue doing business with someone who calls them out on their bullshit and kicks them out of their shops.

But, a couple of days later, Rafe comes through the door of your family-owned pub.

You paid little attention to him. You were trying to log the tips into the cash register, not catering to some entitled prick who has no means being here. Plus, there's another bartender on hand who's more than willing to help Rafe with anything he needs.

You didn't care.

Your coworker can get his tips.

As you're filing in the last of the receipts, Miranda comes over to tap you on the shoulders.

"Rafe wants to talk to you."

You stare at her for a few seconds, as if she was speaking another language. You thought she did. Why in the world would he want to talk to you? You were unpleasant to him. You were nothing of the customer service attitude your parents drilled into you as a child. You thought it was clear grounds for him to look the other direction.

"I'm busy," you say to Miranda, who shifts uncomfortably in her stance, not leaving.

"He said he's willing to wait."

That means he was expecting you to say no.

You scoff. "Tell him I'm not going to be free until closing time."

"But..." Miranda starts again, and you are starting to lose your patience with her. "We don't have a closing time."

You smile at that. "Exactly."

Despite the harsh undertone, Miranda still relays the message back to Rafe. You watch as she does, his eyes briefly pans over to you as you offer him a forced smile with a wave of your fingers and his jaw visibly tense. You thought that would be the end of the conversation but, to be proven wrong again, he slides into the bar stool he previously occupied the other night and orders a drink.

Then another.

You did your best to avoid the area he occupied, but it was proven to be difficult as he spent his time right in front of you. You got busy, running around and assisting locals and tourists who came in to get a taste of the infamous and historical Sailor of Outer Banks. While you're running around, placing orders, making drinks, and trying to navigate the cramped space behind the bar—Rafe remains.

He remained until he was the very last customer.

You sigh as you glance at the clock. Miranda has since left and you're left carrying the shop ever since. All you want to do is go home and relax, but that will be proven impossible until Rafe leaves the establishment.

With a strong reluctance, you step forward to where Rafe sat, his eyes on the TV screen hung on the wall, while his hands occupied another glass.

"Fine," you sigh, causing Rafe to tear away from the screen. The corner of his lips lift into a self-satisfying smirk. "I'm here."

"You finally ready to talk to me?"

"You ready to stop being such a prick?" You quip back, just to see his expression broadens at your snark. You can't lie and say the movement didn't make him more attractive. "What do you want?"

For a moment, you thought he might be here to apologize for asking like an ass the other night.

But, you were too hopeful.

"I came up with a solution," he begins, his words a subtle slur that contrasts the intoxication of the other night.

"For what?" You entertain the conversation, crossing your arms over your chest.

"My dad." He answers. "He wants me to be stable."

"I remember."

"And from when he was talking about Sarah, one of the reasons he thinks he can rely on her is because she's with that Pogue." He explains, "that it somehow makes her dependable. I don't fucking know, the logic is flawed."

"And old-fashioned, but continue."

His blue eyes dart to your face, before he utters the next words. "That means I need a girlfriend."

You nod, glad to see that he came to his conclusion. You thought this was another one of his ramblings, a need to vent to someone he doesn't think matters in the long-run, just to get it off his chest. Now that it is, you're about to step back and turn around to start your night tasks before he holds out a hand.

"Wait," he commands, causing you to stop on your tracks. You raise a brow at him. "I want you to be my girlfriend."

You laugh. It truly is a bad habit of yours but the idea came out as total lunacy and shock. You thought he would join. But, when you look back to his face and have the striking realization that he is serious, you start to sober up. "You're serious."

"Yeah," he says, clenching his jaw, like the moment of wonderful ideas was truly something he was proud of and you struck it down like lightning.

"I'm sorry but," you shake your head, not having the ability to wrap your head around the suggestion. "You barely know me. Isn't there a line of other people who would love to become the next Mrs. Cameron?"

You know that's true. You also know if he had told Miranda this, she would've jumped to the idea before he concluded his brilliant plan. So, you can't, for the life of you, figure out why he's choosing you out of everyone else.

"Yes, but I don't want them." He answers with a shake of his head, leaning closer to the counter. You don't know why but something about that makes your chest warm. "I don't want a real girlfriend. I just need you to pretend to be."

Just like that, the feeling in your stomach dies.

"Pretend?" You repeat.

"Yes," he nods. "It's just like you said. I still have my vices. I don't want to give them up. I just want my dad to think I did."

"I still don't understand how this has anything to do with me," you furrow your brows together.

He sighs, out of frustration or impatience, you don't know. But, he goes to explain, "my dad once told me that John B was a reliable person. That he was a Pogue who was hard-working and determined. That's why he likes him for Sarah—because he hopes it would rub off on her too."

You nod slowly, connecting the dots as he continues. "You're a Pogue," he says with a huff, the title left his tongue with an ounce of disgust you were ready to throw him out of the bar again. "He likes to go on his good samaritan bullshit and employs people from The Cut for certain events. You were one of them."

It takes a second to remember what he was talking about. He's right. A couple of years ago, when you were eighteen, you got a catering job from the Camerons for some big business event. It was the most you made in your lifetime, from all the tips and drunk Kooks who wanted to give back to the poor.

But, he never employed you again.

"Do you see where I'm going now?"

You do, but you hate the attitude he's giving you. Like you were a Pogue who couldn't string together simple facts. Like you should've known what he's talking about.

"I do, but why the fuck you acting like I would've known the whole thing with John B?" You snap, and this surprises him for a moment. Taking a breath to cool the anger in your chest, you calm. "This doesn't explain why it has to be me."

His next statement comes off more nice. "My dad wants someone like that. I doubt he would approve of anyone else, and plus, I don't have to worry about you wanting something more. You clearly despise me."

That isn't true, but you do understand where he's coming from.

"So, let me get this straight." You start. "I'm basically an arm candy for you to parade around in front of your father while the rest of the time, you are free to drink and fuck whoever you want."

"I'm glad that Pogue brain of yours is catching up."

You glare at him, but say nothing else. Picking up the dirty rag off the counter, where you were planning on using to clean, you turn back to Rafe, "as much as I would love to play house with you, I don't have time. Unlike you, I have bills to pay and a job to do."

You turn your back to him but he stops you.

"I'll pay you."

You scoff. "It's not that," you say, because truly, it isn't. A few short-term payments for a couple of missed shifts isn't going to help you in the long-run. You're trying to revive Sailor, to make it a place where it can stand on its own. What is a couple of bucks going to do for that? "I'm sorry, but I don't have the time for it. You're going to have to find someone else."

"I don't want someone else."

He looks at you desperate, as if you would give in, and for a moment, you might. Perhaps it's because you're so used to helping others, or because you were raised to cater to people—to people like him—that your stomach cower at the thought of saying no. But, you have to stand firm on this. You don't have time to go out and party, much less spend your free-time parading around in his arms as some sort of trophy.

You were serious.

"I'm sorry, I truly am."

Your voice is filled with sympathy, and it softens him for a moment. But, that quickly passes as Rafe Cameron has to recoil with the idea that he didn't get what he wanted. Probably for the first time in his life.

With an annoyed huff, he slams the cash for the drinks he's been nursing and leaves.

You thought it would be the end of it.

Not knowing, by the end of this week, you will be known as Rafe's girlfriend.

IMPORTANT INFO ABOUT TAGLIST AND UPDATES: if you want to be notified about all my fics and updates, follow @zyafics-library and turn on notifications! however, if you want to be added to this specific taglist, let me know (but to remain tagged, you must interact with the posts).

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Navigation — Part 02

[goldnrry]

I need to get ready for a birthday but i want to keep reading normal people

[officialmiintee]

wind breaker time! Bofurin first years !!

[starry-bi-sky]

Blood Blossom Au: Baby's First Commissioner Meeting :)

TL:DR This Post: Danny (orphan) gets poisoned with blood blossom extract by Vlad. He runs away from him and ends up under the care of one Pre-Robin Battinson Batman! Starry is loudly pushing her batdad agenda.

(Also known as "Late At Night, When The Nightingale Sings" on my ao3!)

This was a fun rough idea I've been sitting on for weeks, thinking about how Commissioner Gordon and Nightingale's first meeting might go.

---------------

Commissioner Gordon likes to think that he's adjusting to the new normal of Gotham very well, -- the new normal being grown men running around dressed like bats, in military-grade strength body armor, committing acts of vigilantism, -- and slowly, little by little, he was no longer being surprised when this new normal pops up out of the shadows like the world's most terrifying daisy. His shaving lifespan thanks him for it.

....

The kid is a surprise though.

Granted, he seemed to be a surprise to the Bat too.

There's been a string of murders lately, -- which, in Gotham, is kind of like saying there's been another storm during monsoon season. And there's just been another; in some dilapidated building down in south Gotham, with the broken, boarded-up windows and mildew-crawling walls to match. The victim is a man in his thirties, multiple gunshot wounds to the chest, left in the center of the room for the blood to pool out around him.

The place is already secured when he arrives, the building swarmed with officers and the forensic detectives. The Bat emerges shortly after he does -- or, he might've been here the whole time, hiding someplace dark and shadowy. For his own sanity, Gordon doesn't think about it too hard.

The kid is a surprise, and he appears like a bolt of lightning.

He shows up in the middle of a conversation Gordon is having with the Bat.

A whistle, sharp and loud, slicing through the air, meant for open air rather than a confined space. Gordon's ears pierce and protest the sound, and the solemn, murmured chatter floating through the room abruptly cuts off like the swing of a gavel. As he turns towards the sound -- as they all do -- he swears, up and down, that he sees Batman's shoulders jump, just slightly.

At the source, perched on the window, is a boy. A boy in a gray-blue scarf and an oversized black hoodie, one that hangs off his frame and has ace bandages wrapped around the wrists in some attempt to cinch the sleeves. The hood is up, big like the rest of it, and threatens to swallow the upper half of the boy's face whole in the fabric. What upper half Gordon can see, is smeared with some kind of opaque, black face paint. He's holding onto the side of the frame with one hand, on his hip is a grappling hook. A familiar grappling hook.

Gordon has multiple questions, and his officers tense up.

Martinez puffs up, brows furrowing as his face shapes into a frown. Shoulders rolling back. "You can't be here, kid--"

The reaction is immediate, like a spark to gunpowder, the boy yanks his fingers from his mouth and his mouth twists into a scowl. Head snapping over to Officer Martinez, his hood manages to stay on but Gordon swears that as he bares his teeth, the glint makes them look sharper than they should be. His voice is rasp and quiet and harsh; snappish in its hissing; "Put a fuckin sock in it, Martinez. I'm not stayin."

Martinez reels back, and the boy immediately veers his attention off him. Like a switch, his demeanor drops. Despite half his face being covered, his mouth twists into a cringing, apologetic smile. Slanted and off-beat, embarrassed. It'd be disarming if this wasn't Gotham, and if he didn't just hiss at Martinez like he was about to bite his head off.

"Sorry." He whispers, voice deceptively polite and softer now. Gordon has to strain his ears to hear him. "I was looking for him."

He points his finger towards-- Gordon? No, Gordon follows the direction, and finds himself looking at -- the Bat.

The Bat, who always looks stiff as a pole, now looks even stiffer. Somehow. Well, the explains the grappling hook attached to the boy's waist.

"What are you doing here?" The Bat says, gruff and unable to completely smother the stumble of surprise in his tone.

The boy still holds a sheepish smile, and slips off the window ledge. His feet hit the creaky boards with a near-silent thud, the Batman finds his feet and rapidly begins crossing the room.

Gordon notes the slight tremble in the boy's legs as he straightens. He adjusts his scarf, which droops close to his knees now that he's standing, and slings a backpack -- how long has had that? -- off his shoulders. When the Bat reaches his side, he does as he always does, and looms over the boy like a spectre. A threatening mass of shadows cloaked in all-consuming black. Standing next to him, the boy looks teeny in comparison.

The Bat is a man who terrifies even the most hardened criminals, Gordon has seen grown men shiver in fear at the mention of his name. And yet when the boy looks up at him, he doesn't even flinch.

Instead, his sheepish smile melts away like ice under the sun, holding only traces of his previous embarrassment. It remains as a shadow on his face, a small upturn at the corners of his mouth. The boy pushes his hood back just enough to reveal glinting, ice-flint eyes surrounded in tar-black face paint. He holds the backpack up with one arm. "You forgot this."

[batfambrainrotbeloved]

NEW PLAYLIST LETS FUCKING GOOOOO

Have I mentioned I hoard these???? I still listen to @yjcorefourenjoyer on the REGULAR just for the vibe

I made a Tim Drake Playlist in honor of my blorbos birthday

[crystalpallette]

so I finished side order recently

[all-for-the-hyperfixation]

Neil shook his head. "Kevin will talk to him when we get back." "I didn't say that," Kevin said. "But you're going to," Neil said. "You already walked away from him once knowing what Riko would do to him in your absence. Don't do it again. If you don't protect him now, his death is on you."

oh Neil. you perfect little manipulator you. He's so good at calling out what exactly gets to people to get under their skin or have them do what he wants. I love it pfpfpt. ALSO. Neil cares so much about people and like- idk how to articulate this but seeing the way he and Andrew care about their people is so.. good. It's not done in a way where people would clock it as a weakness and that goes hand in hand with their upbringings and experiences and it so fascinating and just. EUGH. but yea anyways, I'm almost done rereading The Kings Men and I just.. i love these characters so fuxkin much, man.

[listen-to-the-inner-walrus]

Okay listen, I'm real tired of seeing that post that's like "actually bell hooks was talking about how we raise boys" and other miscontrusions of what it is that The Will to Change is about.

So directly from the source, from bell hooks herself in the preface:

"The Will to Change: Men, Masculinity, and Love is about our need to live in a world where women and men can belong together. Looking at the reasons patriarchy has maintained its power over men and their lives, I urge us to reclaim feminism for men, showing why feminist thinking and practice are the only way we can truly address the crisis of masculinity today. In these chapters I repeat many points so that each chapter alone will convey the most significant ideas of the whole. Men cannot change if there are no blueprints for change. Men cannot love if they are not taught the art of loving.

It is not true that men are unwilling to change. It is true that many men are afraid to change. It is true that masses of men have not even begun to look at the ways that patriarchy keeps them from knowing themselves, from being in touch with their feelings, from loving. To know love, men must be able to let go the will to dominate. They must be able to choose life over death. They must be willing to change."

I ain't wading headfirst into the discourse here. This isn't to state some opinion, but to correct the record about what bell hooks was talking about.

No one is saying you have to agree with her, but don't misconstrue what it is she wrote about to make it look like she agreed with you. The Will to Change is not solely about how we raise boys; it is also about men and the will of men to change.

[isbelevans]

Mook Worraint playing a teacher in a all girls school messy gl series I am already obsessed

[sonknuxadow]

wouldnt it be so awesome and cool if the sonic franchise was normal about fat people . imagine

[sparklingchim]

[ratatatastic]

[selfkenfidence]

Today I'm here to fight

For reference

Fancy man ❤️✨️

Guyliner 🤮😡

[dailypokemoncrochet]

FOTH Flamigo!

There's something so funny to me about Pokemon that are basically their real life animal counterpart. I feel like Flamigo goes a step further in that even its name is basically "flamingo" lmao

Anyway, this is an example of how I post when I make a new Pokemon. I'm still deciding if this is what I'll focus more on when I actually have time to crochet. You can vote in the poll here to help me decide :D